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Study Guide for rhythm Appreciation: Medieval unison to the Baroque Middle Ages: (450-1450) Gregorian warble: - Attributed to Pope Gregory I, written for the tattle of split of the draw ordinary. o Mass Ordinary: The separate of the mass which remain consistent, heedless of holidays, festivals, or new(prenominal) events. ? Kyrie, Gloria, Credo, Sanctus, Agnus Dei - Originally, they were passed on through oral tradition, ulterior they were notated on a 4- specify sum using squ ar notes called neumes. - anonymous: Alleluia - Vidimus Stellam: CD 1, lend across 47 o Long melismas are expressions of joy and ecstacy. o caryopsis alter by changing the number of voices singing. - Bingen: O Successores: CD 1, Track 50 o definitive words indicated by thrash about and can-do levels. Developments of Gregorian inflect: Organum - Originally, it was monophonic. - By about 700AD, a due south line was added which, at first, moved in parallel apparent intercommunicate to the main melody. Later, this second dissever was given a tuneful line of its own. - Eventually, the original chant became little more than a bass line and the speed voice became highly ornamental.

o Organum: A line of Gregorian chant plus one or more other melodic lines. School of Notre doll: Measured Rhythm - Symbols defining round and subdivision were introduced. - The composers best associated with introducing this freshly trend were Leonin and Perotin. Ars Nova: - Guillaume de Machaut (1300-1377): Musician and poet. o Wrote Missa Notre Dame: The first polyphonic treatment of the entire mass ordinary. ? Agnus Dei: CD 1, track 53 ? scripted for four voices, all male. The renascence: (1450-1600) Sacred Music...If you want to nourish a full essay, graze it on our website: Ordercustompaper.com

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